Taran Adarsh of Bollywood Hungama gave the film a score of 2 out of 5, and said, "On the whole, JISM 2 has Sunny Leone as its USP, but the lackluster screenplay and the sluggish pace act as deterrents. However, Sunny Leone in the driver's seat, coupled with a generous dose of skin show and erotica, besides an attention-grabbing title, should act as a honey-trap to lure the audiences. But how one wishes this jism had soul as well!"[19]
Rajeev Masand of CNN-IBN awarded it a score of 1 out of 5 while commenting that he thinks "the plot itself is like a big, black hole there is no coming out of. For all its pretentious babble on love and pain, it's a film that leaves your own jism in much pain as you finally get out of your seat."[22]
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Snow Cake Movie Free 27LINK premium wordpress theme should cost at least $50 and up. below this price you'll be getting a free theme with no premium features and limited customization. the higher you go, the more features and more customization options you'll get. (you can always buy a theme from the official wordpress themes directory.) here's one for you: should the movie industry be permitted to use the word "fuck" so often and so cavalierly? or, you know, have you ever heard of censorship? i'm not suggesting that snow cake gets away with anything, but it's still worth thinking about the way certain movie-industry practices can seem blithely liberal-friendly, while those same practices elsewhere seem repressive and regressive. how much easier it would be, for example, to put "fuck" in the mouth of a man who's been sexually assaulted than it is to say "f--k" in a way that's not offensive to anybody. certainly, there are things that should be off-limits, even in a comedy. but it's not always as easy as it looks to resist the pressure to restrict certain words and images. in the man with the iron fists, for example, the f--king up of a cute baby (who's also a giant robot) is one of the reasons a teenager decides to become a smuggler. because of this, i don't think snow cake is the sort of film i'd mind my children seeing. on the other hand, it's not a film i'd mind them seeing at all. while i love the film, i don't love it as much as i love weaver's performance. weaver and director marc evans deserve a lot of credit for creating a character so resonant and so finely observed. the woman who plays linda is so good that you forget she's an actress playing a character. she's just a girl, standing there, with her history and her heartbreak and her quirks and her near-total lack of social skills. and yet she's so believable and so delightful that it's hard not to believe that she's a real person. i can understand why the movie is nominated for a best actress oscar. and i can understand why it's nominated for a best original screenplay oscar, too. because it's so well written, and so well directed, and so well acted. c8b82c0f98
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